Culture & Literature

The Hobbit: The Desolation of Smaug I do not like fantasy films… There, I said it. Then why am I reviewing this film, you ask? Regardless of my tastes, I know a good film when I see one. The original trilogy, The Lord of the Rings, was stunning, and deserved its colossal Oscar haul. The plot, for me, was the key: Peter Jackson took a fantasy story, and made it entertaining for everyone; not only was there quality in the script, but also in the acting and the direction of photography. What most people were wondering was whether Jackson could repeat those same feats. The first instalment in the Hobbit trilogy, An Unexpected Journey, was a good start, introducing us effectively to this prequel world and its characters. The Desolation of Smaug, however, had to up the ante. We find the characte...

Jacques Audiard's last feature, A Prophet, is seen by many as one of the best films of the last decade, resulting in a lot of buzz and excitement for his latest film, Rust and Bone, starring the wonderful Marion Cotillard. Arguably two of the best French film-makers of recent years, the film has been greatly revered by critics as a touching love story. However, the film is in many ways Audiard's worst to date. It tells the story of two people in tragic circumstances: Ali, a wannabe fighter, struggling to raise his young son in the absence of his mother and with little money made in illegal fighting rings, and Stephanie fighting through the pain of losing both her legs in a tragic killer whale accident. The two meet, fall in love and help each other correct their lives. It is a plot don...

Baz Lurhmann's take on F. Scott Fitzgerald's novel, The Great Gatsby, is an explosion of colour, music and sexual tension, bringing to life what I consider to be a story that trails at a snail's pace. Behind all the glitz and glamour of Lurhmann's directorial style, it is his choice of actors that helps to give life to the otherwise lifeless portrayals of Fitzgerald. Leonardo DiCaprio does well in playing the infamous Jay Gatsby, a man both famous and mysterious for his regular mansion parties, whose relationship with Carey Mulligan's Daisy is made both awkward and increasingly addictive from their first encounter. My admiration of Gatsby's characterisation increases drastically alongside the rapid fall of Daisy's likability, a woman who frustratingly glides through life, child-like and i...