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Culture

The Striking Fortune of Thunder
Culture, Music

The Striking Fortune of Thunder

by Liv Briens Montero, staff writer  Fortune at the Teatro Coliseo  When Trueno, a young growing star of Argentinian rap, stepped onto the stage of the renowned Teatro Coliseo for his collaboration with Red Bull Symphonic, the evening felt larger than a musical collaboration. It was a statement about space, legitimacy, and cultural power. Dressed in Air Force 1s and an oversized formal suit, Trueno appeared to reinvent orchestral protocol. The silhouette echoed classical tradition, yet subtly disrupted it. The whole orchestra was wearing the same sneakers as Trueno, as a nod to the overlapping of the two worlds. Streetwear met symphony; formality met defiance. The visual message was immediate: he was not adapting to the institution, he was reshaping it.  Reinve...
Are All Great Writers Honest?
Culture, Literature

Are All Great Writers Honest?

By Marnie Baker, Staff Writer Honesty is a fundamental part of life and growth. It enables us as human beings to connect not only with ourselves, but with others. It allows for whole, meaningful relationships and a fulfilling life rich with discovery and freedom. But is it integral for writers to be honest, and what is the purpose of honesty in literature? Whilst fiction may seem to be simply fabrication or invention, there are often always traces of truth, however small, within a writer’s work. For writer and civil rights activist James Baldwin, honesty was a quality within his writing that he found inescapable. His goal was to be “an honest man and a good writer”, implying that the two are intrinsically interlinked. Alongside being a monumental figure in Black history, Baldwin rem...
‘God bless these 20-somethings’: Looking back on SZA’s Ctrl in young adulthood
Culture, Music

‘God bless these 20-somethings’: Looking back on SZA’s Ctrl in young adulthood

Suhana Limbu, Associate Culture Editor It’s 2018, and my thirteen-year-old self is screaming along to the lyrics of SZA’s album, Ctrl. I was especially devoted to her hit single, ‘Drew Barrymore’. Hairbrush in hand, still dressed in my school uniform—though my missing blazer must’ve been thrown on the staircase banister—I borrowed SZA’s woman-ness to sing as a young girl, ‘Is it warm enough for you inside me, me, me, me?’.  Now, I had actually thought that the lyrics were, ‘Is it woman enough for you inside me?’, and didn’t realise the line’s sexual innuendo. Instead, thirteen-year-old me was convinced that the then twenty-seven-year-old SZA understood my frustrated entrapment from womanhood—a magical, distant transformation in time that would surely fill in the gaps of my teenage i...
Mapping the Music Scene of 1986: Orbital’s Founding Soundtrack, 40 Years On
Culture, Music

Mapping the Music Scene of 1986: Orbital’s Founding Soundtrack, 40 Years On

By Isobel Carnochan, Senior Culture Editor I have never considered myself to be an expert on the ‘80s. Something about the ‘90s glitzy, glamorous grunge always appealed more to me: I worshipped Kate Moss, listened to Nirvana and Hole more than any other artists combined, and treated Buffy Summers like my personal fashion inspiration. But this winter break has brought me back home and reunited me with my record collection, and for the first time I noticed just how many of my favourite albums were released in 1986. In celebration of the Orbital’s 40th birthday, I’m taking you on a trip through the deepest nooks and crannies of my music library to uncover the tracks of the Orbital’s founding year. 1986 was undoubtedly a monumental year for music. Honestly, what wouldn’t I give to have ...
‘Man’s greatness is determined by his heart, not by his caste’: Moving Towards Literature amidst Nepalese Disparity
Culture, Literature

‘Man’s greatness is determined by his heart, not by his caste’: Moving Towards Literature amidst Nepalese Disparity

By Suhana Limbu, Associate Culture Editor When I began planning this article, I asked my British-Nepalese peers a simple question: “What do you think of when I say ‘literature’?” They answered profusely. They recited writers, novels, and poems, but they were all Western-centred. Once I asked what comes to mind when I say “Nepalese literature”, I was met with a pause. After a moment of struggle, they admitted to their limited knowledge; many of their answers connoted ideas of ancient folklore, religion, and lost literature.   The phrase "lost literature" particularly gripped me. In recent years, there’s been a clear rising interest in Asian culture. Although seeing this representation heartens me, I’ve noticed that there’s no presence of Nepalese literature––how have we com...
Our Guilty Pleasures and Displeasures
Culture

Our Guilty Pleasures and Displeasures

By Suhana Limbu and Isobel Carnochan, Associate Culture Editor and Senior Culture Editor In selecting our favourite works across page, screen, and sound, there’s an inevitable pressure to choose something good––something that could leave a lasting impression, potentially begin someone’s new obsession, or, if anything, fits the constraints of what’s cool. Nonetheless, I’m sure everyone has a soap opera or secret playlist they indulge themselves in, as long as the curtains are closed and the door is locked. Or, maybe they have a brewing hot take waiting to erupt, but must bite their tongue back. So, in this article, Isobel and I will embrace these guilty pleasures and displeasures. We are going to shake off external influences, unlock a couple doors, and present to you our favourites, ho...
The Failures of Guillermo Del Toro’s Frankenstein
Culture, Film & TV, Literature

The Failures of Guillermo Del Toro’s Frankenstein

By Isobel Carnochan, Senior Culture Editor Content Warnings: Death and killing Mary Shelley’s Frankenstein has been one of my favourite books since I was a young teenager. To me, Frankenstein is literature at its peak: it has gorgeous prose, a compelling narrative, and is topped with intricately complicated themes and moral wonderings. Naturally, I was ecstatic when I learnt that a new adaptation was being made for Netflix. But, after watching it, I was nothing short of disappointed. Del Toro’s adaptation removed all of Shelley’s luscious nuance and complexity in favour of spoon-fed, vapid moral messaging (a character literally tells Victor “you’re the real monster”, just in case we hadn’t picked up on that already) and outdated gender norms. In the end, all this new adaptation amou...
Montol: The Masked Festival to Revive the Lost Sun.
Culture

Montol: The Masked Festival to Revive the Lost Sun.

By Spencer Green, Staff Writer If you ever try to walk through Penzance on the longest night of the year, you shouldn’t be surprised to find the Beast of Bodmin Moor being shamed in chains through the streets, or leering skeletal horses peering deep into your soul as jingling bells echo in your ear. As the sun sets on the winter solstice, in the town of Penzance, Cornwall, the fires are lit across the streets to celebrate the death of the year with a mystical emphasis on anonymity and disguise. This midwinter celebration began 21st December 2007 in order to revive Cornwall’s celtic roots and traditions dating back to the Middle Ages in West Penwith that fell out of place in the 1930s. The night is filled with bonfires, masked dancers, twirling fire sticks, town criers and giant skel...
Every Monument Will Fall: Or, Why History Isn’t Just a Study of the Past
Culture

Every Monument Will Fall: Or, Why History Isn’t Just a Study of the Past

By Ruby Day, Deputy Editor-in-Chief In the spirit of honesty, I feel comfortable admitting that nothing boils my blood quite like being asked what the use of my history degree is. It’s been assumed countless times that the only feasible career I could pursue is that of a secondary school history teacher. Whilst I have endless admiration for the profession, without my own secondary school history teacher I would be a very different person today, the idea of regurgitating facts about Weimar Germany to a class of largely apathetic 14-year-olds leaves me cold. Whenever the presumption is made that a return to GCSE-level history is on the cards for my future, I often bite my tongue for fear of looking like a mega-nerd, holding back the extensive and shower-rehearsed monologue I could del...
Born With Teeth: Education at the Theatre
Culture, Theatre & Performance

Born With Teeth: Education at the Theatre

By Ruby Day, Deputy Editor-in-Chief Some experiences are electric. Watching legendary playwrights Christopher ‘Kit’ Marlowe and William Shakespeare prowl around, pine for, and pounce on one another is undeniably worthy of such categorisation. Running for a limited 11-week season on the West End (13th August to 1st November 2025), Liz Duffy Adams’ Born With Teeth combines historical fact, scholarly speculation, and poetic license into an exceptional play that stands testament to the idea that a night at the theatre can be just as educational as attending a lecture. I admit, I was principally drawn to this production because of the undeniable crush I have on Edward Bluemel, who takes up the role of Shakespeare alongside his forcefully dynamic co-star, Ncuti Gatwa’s Marlowe. Attending ...