Culture – Page 4 of 4

<strong><em>Will you go on the record? </em>How ‘She Said’ reminds us of the sad realities of Hollywood. </strong>

1Mar

By Daisy ClarksonNo Comments

Culture

Will you go on the record? How ‘She Said’ reminds us of the sad realities of Hollywood.

Released five years after the original article from The New York Times was published, ‘She Said’ tells the story of the two journalists who uncovered the Harvey Weinstein sexual assault scandal. Jodi Kantor and Megan Twohey are played by Zoe Kazan and Carey Mulligan respectively, yet the film also includes actresses who were victims of Weinstein including Gwyneth Paltrow and Ashley Judd, who play/voice themselves. The film itself is subtle, yet the statement it makes is bold. By criticising the very industry that it has been created in, the film sets out to confront the industry professionals who will be watching this film – many of whom will have worked with Weinstein, maybe even defended him. ‘She Said’ does not glamorise Hollywood or the media industry – it does the opposite.&...

<strong>The Narration of Sisterhood</strong>

7Jan

By Olivia TaylorNo Comments

Culture

The Narration of Sisterhood

I have asked my sister to plait my hair a handful of times in the past, since she has always had this skill that I quite clearly lack. I quickly realised I would rather go without French or Dutch braids, especially if she was going to do them for me. She would pull so hard on my straight, thin strands, tug my head to the point it hurt and even hold pieces of my hair in her mouth so she could use her hands more efficiently. And yet, whilst she clearly was putting in the effort, my plaited hair would never look as good as hers. My sister’s beautiful, bouncy curls will twist together perfectly, always looking thick and healthy and will stay in place forever; her hair is everything mine isn't. However, she will always complain about how much maintenance is required for her hair, whereas I wil...

A Love Letter to Four Weddings and a Funeral

13Dec

By Madelaine GrayNo Comments

Culture

A Love Letter to Four Weddings and a Funeral

A romance film where the romance is incidental. I watched Four Weddings and a Funeral for the first time relatively recently. I was expecting another Notting Hill–and indeed, there are parallels and similarities, in that Richard Curtis directs while Hugh Grant attempts to win the affections of a seemingly-out-of-his-league American, accompanied by a zany, tight-knit group of friends. Four Weddings, however, is a different film entirely, and quickly became one of my favourites. Four Weddings stands apart from the usual romcom genre in my mind for many reasons–not least because the romance that the film ostensibly follows is one of the least interesting aspects. It seems almost cliched now to reject Charles and Carrie’s central love story. After all, in the era of “hot takes”, it’s be...

<strong>The Self-Help ‘Genre’: Reading Towards a Fresh Start</strong>

13Dec

By Olivia TaylorNo Comments

Culture

The Self-Help ‘Genre’: Reading Towards a Fresh Start

Watching Sex and the City’s Charlotte York stumble through a bookstores ‘Self-Help’ section in search of Starting Over Yet Again, feels like a very accurate depiction of that particular experience, especially when you are a perfectly normal yet slightly unconfident and insecure person. Fortunately for both Charlotte and anyone else looking for novels like Starting Over Yet Again - which unfortunately isn’t a real book - Amazon exists. Therefore we don’t have to fumble through the self-help section shouting ‘travel… travel?’ in vain hope of masking any embarrassment. But why should anyone be embarrassed of self-help books? Have we really created a stigma around reading for advice rather than asking? Whilst I haven’t (yet) bought a title similar to Starting Over Yet Again, I have r...

<strong>“We are the weirdos, mister”: Queer Identity and the Horror Genre</strong>

13Dec

By Chloe ReynoldsNo Comments

Culture

“We are the weirdos, mister”: Queer Identity and the Horror Genre

As the days darken and the nights grow longer, I find myself contemplating my fascination with the horror genre. Of course, the endless fantastical possibilities that the genre provides (along with a natural inclination towards everything macabre) piques my interest in the topic, but there must be something else that keeps me coming back for more. Horror must offer something altogether more crucial than a quick scare or an opportunity for escapism that makes these films appeal to an overwhelmingly LGBTQ+ identified audience, something that resonates on a profound level and keeps us invested in the genre as both filmmakers and spectators alike. Why is it that horror stories hold so many queer people entranced? To determine why horror means so much to me, I’ll cycle back to where i...