Say his name: how Candyman’s sharp social commentary exposes the horrors of reality
Nowhere near as sweet as he sounds, the urban legend of Candyman is rooted in the bitter realities of racism at the hands of white supremacy, birthing a monster and personifying the terrors of oppression. Arguably ahead of its time, the origins of the frightful hook handed menace stem from the realities of a history not so long ago, placing the slasher film and systemic racism alongside each other to induce the greatest levels of fear.
The son of slaves and a product of the sinister consequences of the Jim Crow era, Bernard Rose’s Candyman (1992) places on the big screen the constantly perpetuated message that the Black man must be feared. Told from the perspective of graduate student Helen Lyle, the motivations of the Cabrini-Green bogeyman are touched upon but fall back to the ...