Theatre & Performance – Page 3 of 12

Mind the Gap: Good Enough to Make Even a Londoner Smile

19Nov

By George WhiteNo Comments

Culture & Literature, Theatre & Performance

Mind the Gap: Good Enough to Make Even a Londoner Smile

It's easy for an abstract drama production, while aiming for a profound, almost philosophical execution, to slip unwittingly into turgid verses of stilted disarray. Entering the Student Workshop’s latest production, Mind the Gap, whose social commentary, I had heard, bubbled at the surface of the show, I was convinced it would follow the same conceited creed. While watching the opening scene, I chuckled sombrely to myself, having found another esoteric piece to lambaste relentlessly. However, come the dropping of the figurative curtains, I had come to the resolute conclusion that my initial interpretation was entirely and profoundly incorrect. Anton Ego had his taste of ratatouille. The cast radiate a comforting exuberance throughout the show, allowing it to narrowly avoid the classic t...

Full Disclosure: The Addams Family Musical

18Nov

By Emma HalahanNo Comments

Culture & Literature, Theatre & Performance

Full Disclosure: The Addams Family Musical

After wowing us with campus hit Love Island: The Musical, Director Harriet Williams, Musical Director Daniel Looseley and Choreographer Bryony O’Hare take on the musical adaption of cult film and TV series, The Addams Family. With a puff of dry ice and a scarily sombre prologue, the SU main hall ‘moves towards the darkness’ into the disastrous Addams Family mansion – and full disclosure, you are greeted immediately by some stand out performances. Newcomer Emily Quillin makes a delightfully macabre Morticia Addams with both a stellar acting and singing performance that draws every laugh, gasp and blush. From motherly mentor to seductress señorita, Quillin carries that signature Morticia mannerism with her throughout the show, providing an energy unmatched – a testament to Harriet William...

21Oct

By Lina PlamenovaNo Comments

Culture & Literature, Theatre & Performance

A Truly Amazing Night At The Theatre

Ever imagined, even in your wildest dreams, seeing Morticia Addams, Dorian Gray, and Romeo and Juliet all in the same place, at the same time? No? What if they were accompanied by wild dancing performances, amazing musical numbers and sketches that make you laugh so much that your stomach hurts? Then apparently, you have never been to A Night at the Theatre (ANATT). If you have never even heard of ANATT (where have you been all this time?!), it is an event that features performances by more or less all the creative societies at Royal Holloway, varying from dance, drama, musical theatre, fashion, pole dancing and the works of some independent artists. It is an excellent way to spend an evening, leaving all your worries behind, while watching your fellow students express their creativity...

20Oct

By Michele TheilNo Comments

Culture & Literature, Theatre & Performance

Student Productions: One to Watch

I’ve said it before and I will say it again: theatre is a gift. The dedication and hard work that goes into producing a high-quality show for the audience to enjoy is unparalleled and should be appreciated - even at the student level. University students juggle degrees, part-time jobs and socialising with hours and hours of rehearsals almost every night so that, in just a couple of months, they can stand in the Student’s Union or Jane Holloway Hall performing their hearts out for the students who attend. However, while these shows do attract quite a lot of people, there are scores of RHUL students who will graduate without ever seeing a student production. My only question is why? Student productions are an opportunity to watch a high-quality show for a relatively low cost. Most show...

2Jun

By Josip MartincicNo Comments

Culture & Literature, Theatre & Performance

There’s nothing tame about this!

Shakespeare Society’s always highly anticipated Summer Term production was a true triumph this year. The remarkable thing about this particular show is that it is entirely done by 1st years. This fact fills me with hope for the society’s future, as the already stellar work and passion by everyone in the whole cast and crew can only grow from this point onwards. The performance was held in the Boilerhouse Lecture Theatre, a vast space which is challenging to perform in due to lots of seating - which I was pleased to see very pleasantly filled. Stage manager Emma Currie set the space with a golden fringed backdrop and a small carpet of an art-deco design. The soundtrack of the roaring 20s was playing as the audience took their seats and during scene changes, which, alongside the costu...

20May

By Michele TheilNo Comments

Culture & Literature, Theatre & Performance

“A Delightful Evening of Delights”

This weekend sees Musical Theatre Society’s (MTS) final performance of this academic year, a fun show that stretches each member’s creativity and shows us the vast expanse of Musical Theatre. There are 23 numbers, of varying types, from a wide variety of musicals and it was, as Musical Director and Compere Flynn Sturgeon states, "a delightful evening of delights". The entire show was a spectacle, with loud and enthusiastic accompaniment from the band seated at the front of the SU Main Hall and bright flashing lights all around us. Act 1 begins with a rendition of Joyful Joyful from Sister Act 2, with people coming from every corner and interacting with the audience and amping them up for the rest of the show. Connor Wood and Robbie Carprari-Sharpe, both incoming committee members for MT...

2Apr

By Josip MartincicNo Comments

Culture & Literature, Theatre & Performance

An UnScene History

Fresh off their win for Society of the Year at this year’s Socs Ball, Drama Society puts on their termly inclusion event demonstrating creative works in progress. Drama Society markets this event as an opportunity to celebrate new writing by bringing together creatives from all over campus. This UnScene, more than any other, truly illustrated just how varied the mediums in which budding artists of our campus work in are. The theme of history, conceived by the 1st Year Representative and co-organiser Sorel Wilson, was explored in the festival through a variety of genres. The audience was treated to a full visual and aural experience. Although I personally feel that last term’s overall execution showed more of a commitment to the theme of ‘Apocalypse’ through the aesthetic, including...

19Mar

By Jordan ThorneNo Comments

Culture & Literature, Music, Theatre & Performance

Setting sail with HMS Pinafore

Savoy Opera’s production of ‘HMS Pinafore’ set sail last night amidst a sea of laughter. Niamh Dunne did a brilliant job directing the show, successfully combining the heart wrenching with the hilarious. Gilbert and Sullivan’s comedic Operetta is set on board HMS Pinafore. The story follows the plight of Josephine Corcoran and her forbidden love for the sailor Ralph Rackstraw. Tasha Crossley played Josephine convincingly, successfully conveying the false innocence of the character. The contrast of sweet naivety with awareness of sexual humour was delivered with capability. Will Maxwell brilliantly played Josephine’s unfortunate lover Ralph. He brought to the stage the injustice of their separation. I was particularly struck by his solo ‘The Nightingale Sighed’ in which the character’s e...

14Mar

By Michele TheilNo Comments

Culture & Literature, Theatre & Performance

Bare: A Glowing Review

Musical Theatre Society’s (MTS) exceptional performers and crew members were laid bare last night in the explosive Bare: A Pop Opera. This largely niche musical by Jon Hartmere and Damon Intrabartolo has been brought to our attention due to Director Anthony Underwood's brave decision to stage it - a decision that paid off immensely. George Lambourne and Daniel Edwards were amazing in their roles as Peter Simmonds and Jason McConnell, the couple that this entire show was centred on. They were extremely convincing and effective in portraying the emotion required of the show - which is a testament to their skills as actors. The chemistry between Lambourne and Edwards was really great, as was the chemistry between Edwards and Molly Cheesley, who plays his sister Nadia. Their brother-sister ...

5Mar

By Michele TheilNo Comments

Culture & Literature, Theatre & Performance

An evening with the King himself

Having never seen a Shakespeare Society production before, I was unsure of what to expect of Director Bethany Wilkinson’s adaptation of the infamous tragedy, King Lear. King Lear is one of my favourite plays in the world and, being quite a traditionalist with regards to Shakespeare plays, I hoped that the play would do it justice. In some ways, it definitely did. In others, it did not. Before the play officially starts, as audience members file in, the play has clearly already started, introducing us to Lear from the beginning. Jack Davies as King Lear, epitomises the idea of a ‘mad King’ by trailing around the hall, mumbling nonsense and cackling maniacally. He moves into audience members’ personal space, balling up paper and throwing it at key targets - me included. He is mad, obvious...