Emily in Paris: Praising aristocracy, shaming the proletariat
By now, everyone’s heard about Emily in Paris. The Netflix show made its debut in 2020, with the promising concept of a young graduate learning to merge American and French cultures.
Instead, it romanticised elitist ideals, from the scenery to the extravagant fashion, as we follow Emily in her time abroad. The screenwriters put the rich on a pedestal, showing how the poor taint Paris’ opulence. In their eyes, of course.
Let’s not forget race and homosexuality. Although there is representation, it comes across as tokenship, with no character development. There is no question that the finished production came up short of audience expectations; the online backlash was swift.
However, the high view count overtook the number of critics, and the show was renewed for a...










